Why do you need good comms? As soon as your church production crew grows beyond the bounds of a single booth, communication becomes a challenge. You can no longer lean over and chat with the audio guy, or yell over the music to lighting operator to make sure he hits that main preach front lighting cue. Good communication is key to a successful production anywhere, and with many small churches (including mine) launching or growing their live video production for streaming, I thought I’d share my own experience and the… Read More
Worship Pitch Correction with Ableton, and Waves Tune Real-Time: Part Two
In part 1 I talked about the basic routing setup you need to do basic pitch correction using a digital console, a Dante audio network, and Ableton. At the end of that post, I warned against simply tuning to a chromatic scale, which can lead to tuning “misses” that easily make your vocals sound worse than they did without pitch correction. In part 2, I’m going to show you how we use MIDI clips in Ableton to automatically set the tuning key for our tuning plugin for each song, making… Read More
Live Worship Pitch Correction with Ableton, Dante and Waves Tune Real-Time: Part One
As the main technical/production guy for a relatively small church, a lot of what I do has to do with squeezing every ounce of capability out of the little bit of gear we can afford, and I know I’m not the only one! Today, I wanted to share with you our simple live pitch correction setup we’ve begun using for our vocals during our sets. Integrating this into our existing setup cost us a total of $49.99 (the sale price for Waves Tune Real-Time). Like us, a lot of churches… Read More
gldMix 2.0: Mix Allen & Heath GLD-series monitors from your iPhone
About a year ago I released gldMix: a simple iPhone app that allowed you to remotely mix on an Allen & Heath GLD series console. You can save and recall presets for your main mix, effects bus, or and mono or stereo auxillary bus. The app is really designed for worship teams or bands that use a GLD series console, but either can’t afford ME-1 or ME-500 units or prefer to mix from an auxiliary bus but want to give remote access to the mix. gldMix is a relatively inexpensive… Read More
Audinate Dante + Audio Hijack: a Match Made in Heaven
As Craig Groeschel says, innovation is often borne out of limitations, and as many of you know as volunteer audio/video techs for a small church: limitations abound. Hopefully, that has led you to find creative ways to stretch every dollar and squeeze every ounce of capability out of each piece of valuable equipment you have.This blog post is about how we use Audinate Dante ($29.99 per computer, plus a device that can function as a master clock) and Audio Hijack ($59) to allow a single early 2009 Mac Pro to… Read More
Lighting Christmas Eve: Jands Vista, Chauvet, Rouge, ETC, Leviton, MDG
I’ve been wanting to post this since Christmas but it’s been pretty hectic. Christmas Eve is always a big production for us, so I thought it might be a good starting point for lighting discussion, questions, ideas, etc. Let’s get started!Here is a static, low-quality angle from the entire event: Your browser does not support the HTML5 video tag. HTML5 Video Player Our Gear Here is our lighting gear list for this year: Control Lighting Control: Jands Vista S1 LED Wall Control: Entec LED Mapper Lighting Cues: MIDI cues from… Read More
Computer Networking for Churches 101: Routers, Wireless and tons more
Wait! Before you read this… Before you read this post, I’d like to invite you to a free, “church tech live” session I’m hosting specifically on computer networking. In this Zoom session, we’ll be talking about everything in this post and more in a visual, discussion-oriented session–which gives you the chance to ask questions along the way! So, instead of reading this, register for that! (or do both I suppose ☺️) Networks are everywhere, and churches are more and more dependant on reliable networks every weekend. This post covers some… Read More
Automating ProPresenter with Ableton Live and Network-based MIDI
Two programs that are becoming increasingly ubiquitous at churches these days are Ableton Live and ProPresenter. Here is a quick “how-to” tutorial on using an Ableton Live session to automate ProPresenter slide changes. At my church we use this method for sets with very specific arrangements, or special numbers that have very specific video timings. We still have volunteers that run lyrics for 90% of our sets, but remote control comes in handy on occasion.## Introduction First, here are a few things you’ll need to make this work: MIDI Musical… Read More
LED Pixel Tape Stage Design Part 3: Pixel Control and Mapping Software
Okay, at this point you’ve done your research, designed your wall, and priced out some components. You’ve installed your tape, wired in your control and powered it up. Now what?### Pixel Control and Mapping Software As I mentioned briefly in part 2, you’re most likely going to need a program that can map media and effects to your pixel tape controller, likely via Art-Net, sACN or KiNet. I’ll look into some specific programs to compare in a second, but generally these programs allow you to create a stage configuration that… Read More
LED Pixel Tape Stage Design Part 2: Installation Steps and How-To
Well, we just finished up our Christmas Eve service here at Harvest Christian Fellowship and I’ve got some free time to finish up this series on our LED pixel tape wall installation. If you missed it, this is based on the research we did in part 1.In the end, we ended up going with the following gear for our install: – 21 5-meter reels of Enttec 8PL30 tape (an extra reel in case we have issues, which we did…) – 8 Meanwell LRS-350-5 (300 Watt, 5V) power supplies to power… Read More